SIENA10 LORENZETTI REDUX/Good and Bad Government Collages

2 09 2010

NAME: Shawntel Young
PROJECT: lorenzetti redux
ASSIGNMENT: collage/essay

Link:

http://shawntel2010.wordpress.com/2010/08/17/collage-o-trash/?preview=true&preview_id=201&preview_nonce=330a4c3d01

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Montepulciano: Chiesa di San Biagio

27 08 2010

DELGADO





Rome10. Terme di Caracalla [first watercolor]

27 08 2010

DELGADO





FOLIO.WEBLOG | GUIDELINES + DEADLINES

25 08 2010

POST TITLE: ROMA10 SMDP | GRUPPO WHATEVER for example

  • for group projects, posting here is REQUIRED. you may use a LINK to an individual blogs, but the information below must appear here on the main weblog.

GROUP NAME: facultyfaculty for example
GROUP PROJECT: sienastudio 2010 for example
GROUP MEMBERS: dart kopec lang romito/fiocca sollohub speranza

  • for individual assignments, sketches, etc posting here is OPTIONAL. you may use a LINK to your individual blogs, but the information below must appear here on the main weblog.

NAME: dart for example
PROJECT: posting guidelines for example
ASSIGNMENT: newark precedent 1 for example

the information listed above must be at the top of every post. you may redesign or reformat but the information must be clear to those who will be evaluating your work … you may also include a small signature image or motto above the group name.
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GROUP.EVALUATIONS | DUE 2PM THU 02 SEP 10

25 08 2010

PEER GROUP EVALUATIONS are an integral part of studio grading. excel templates have been emailed to you all. please fill out + return via email to james.dart@njt.edu. please name the file S10<LASTNAME>.xls (no spaces). on behalf of all of us faculty, we would like to thank you again for your participation in the sienastudio 2010, and especially, your good humor + good work over the course of the summer.  it has been a pleasure and, we hope, a good learning experience.





FOLIO.WEBLOG | DUE 2PM THU 02 SEP 10

24 08 2010

FOLIOWEBLOG click for a list of assignment + content requirements

Whoever knows how to design a park well will have no difficulty in tracing the plan for the building of a city according to its given area and situation. There must be squares, crossroads, and streets. There must be regularity and fantasy, relationships and oppositions, and casual unexpected elements that vary the scene; great order in the details, confusion, uproar, and tumult in the whole. M.A. Laugier  Observations sur l’Architecture 1765.

Notations on architecture and the city have historically been rendered legible through publications and manifestoes. From Vitruvius to Le Corbusier to the present day architects have presented their impressions and design intentions in clear graphic and textual narratives. These works can provide models for a graphic-based rhetorical language. The architectural treatise constitutes a comprehensive means of communicating all aspects of architectural design, from precedent to projection, addressing the varying dimensions of the discipline. A tectonic appreciation of the city begins with creating a graphic-based methodology for reading and communicating architecture.

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SIENA10 | Fonti di Pescaia. [Territory]

5 08 2010

Gruppo CIRCOLO: DELGADO/ D’ELIA/ RAPCIEWICZ

Please click here for FINAL PRESENTATION

Initial Documentation:

Site Plan:

1226: Fish Supply to Siena

La Fonti di Pescaia:

Impression Board:

Figure Ground:

Three urban fabric typologies [medieval, 19C, early 20C]:

Wall:

Street Map:

Related Geometry:

Topography:

Through the Contradas:

Sectional cuts:

1 [roof garden]


2. [recreational park]

3 [community garden]

Spaces/ Uses:

Elevation Changes:

Micro/Macro Topography:

Procession to Time: